What Does AI Say About Metaliteracy?: I Asked Claude, ChatGPT, and Gemini

Trudi Jacobson

Post One: AI’s Understanding of Metaliteracy

I have been working extensively with ChatGPT on several personal projects, ranging from research into specific antique objects and the historical details they can yield to pastel painting tips. I’ve also used it to plan meals for an individual with multiple health conditions who has strict dietary restrictions. I have compared responses from Claude and ChatGPT, and have had to engage in more research when their answers differed completely. It has been a fascinating process, but I wondered what would happen if I transferred this approach to one of my academic and professional interests. As a next step, I investigated and compared AI responses about metaliteracy’s relevance in this environment. 

This blog post is the first of several in which I will report the findings after asking Claude, ChatGPT, and Gemini several questions about metaliteracy and its role in a burgeoning AI environment. I initially wanted to hear how they would describe metaliteracy. In this first post, I will consider the differences–and similarities–in the responses when I asked the three AI platforms “What do you understand metaliteracy to be?” I put a 300-word limit on their responses.

All three platforms mentioned metaliteracy in connection with information literacy. Claude labeled metaliteracy a framework for information literacy, ChatGPT called it “a contemporary  learning framework that expands traditional information literacy,” and Gemini identified it as “a comprehensive framework that expands the traditional definition of information literacy.”  Gemini was the only one that did not attribute the development of metaliteracy to Tom and me, as co-originators of the concept, while Claude was the only one to provide a date for its development (“around 2011”). Claude linked metaliteracy with the ACRL Framework for Information Literacy for Higher Education. Unfortunately, it did so incorrectly, noting that it was “adopted as the conceptual foundation” for the document, rather than threshold concepts. It is worth noting that threshold concepts are mentioned but not attributed to their critical role in the Framework. As an emerging concept at the time, metaliteracy was incorporated into the ACRL document less overtly.

The metaliterate roles that individuals take on in “networked, collaborative, and participatory environments” (Claude), in a “digital networked world” (ChatGPT), and in “participatory environments” (Gemini) are noted to varying degrees in the responses. ChatGPT highlighted production, sharing, collaborating, and reflecting on information in its initial paragraph of the response. Later, it mentions the shifting roles of “reader, author, editor, curator, commentator, and community member.” Claude and Gemini focused on the role of “active producer.” Developing as a producer of information is vital to metaliteracy, so it is appropriate that it appears in all three responses. But the fact that two of them added the word “active” in connection with the producer role is unusual, especially compared to our simpler use of the noun alone. However, we do stress active learner roles, and it might be that these two platforms combined them, either due to space constraints or to their interpretations of our key concepts.

While Claude and Gemini included less about the roles, they both mentioned the four domains, while ChatGPT did not. What ChatGPT did was include a list of six core dimensions: critical evaluation, creation and participation, metacognition, ethical awareness, collaboration, and adaptability. While all six are important to metaliterate learners, this is a rather arbitrary list and does not reflect our core components with their goals and learning objectives. That said, ChatGPT does highlight metacognition in its response, as the others did, though not always naming it:

ChatGPT: “What distinguishes metaliteracy from older literacy models is its self-reflective and participatory orientation.” (bold typeface ChatGPT’s)

Claude: “That last domain [metacognition] is arguably the most distinctive feature. Metaliteracy treats self-awareness as central….” 

Gemini: “It is essentially about becoming a responsible, self-aware digital citizen.”

None of the three responses fully grasps metaliteracy, which raises the question of whether the word limit played a role. If I had given the platforms 500 words or 1,000, how might the results have differed? As this is not a scholarly study, I won’t follow up on that currently. Another approach I might have taken, based on the advice of a friend who has worked extensively with the engineers and others developing AI, is to request that a platform ask questions until it can provide a response about which it is 95% certain. How, or would, the responses change significantly? And would the responses alter based on a query from another individual, or a slight wording change to the query?

As the responses stand, none fully grasped the concept of metaliteracy, nor included all the key components. Yet if they got the general gist, would that be an adequate starting point for those interested in metaliteracy? And possibly a stopping point, given how in-depth–or not–their interest is? Reading all three responses together gave a fuller picture of metaliteracy, albeit one with a few mistakes, misdirections, or gaps. Yet how many people will check three AI platforms for the same query? If they are working at that level, they will be using scholarly sources. I think that additional studies taking some of these points into consideration would be useful. 

A couple of obvious notes about the research process behind this series. First, I’ve never accomplished my primary research so quickly. From idea to data gathered took about 45 minutes, and that included several breaks. Second, it is not surprising, but it is disappointing that no references were included in these preliminary interactions with all three platforms. While the process was fast, the results were inconsistent, incomplete, and lacked documentation. Of course, I could have expanded the number of words and requested proper citations, but I was curious about what AI could tell me about metaliteracy in these brief and limited interactions. My approach very much reflected how people are engaging with these systems for quick answers, similar to the personal examples I shared at the start of this post. It makes me wonder about how someone new to metaliteracy may understand the concept through AI interactions rather than our published research and projects.

Now that I have answers from these three platforms about what they feel metaliteracy is, the next post in this series will examine the responses to the question, “What role does metaliteracy have in preparing individuals to work with AI?” I didn’t suggest revisions to their understanding before asking this question, as their general grasp sufficed to obtain applicable responses. Tom and I encourage your comments on this post and its contents.

 

From Information Literacies to Metaliteracy: Learner Agency in an AI-Mediated World

The accompanying slide deck is available as a resource for exploring the core components of metaliteracy and AI-related learning activities in greater detail.

As metaliteracy continues to evolve in response to AI and emerging technologies, this keynote invites further reflection and application. Readers are encouraged to consider how these ideas might inform their own teaching and learning contexts—whether by integrating metaliteracy principles into course design, developing new learning activities, or engaging students as active and ethical producers of knowledge. The embedded materials—including two Slido surveys, reflective prompts, and examples of assignments—offer opportunities to explore these concepts in practice and to extend the conversation across diverse educational settings.

We encourage readers to apply these ideas in their own contexts and to share examples of their work with us for possible feature on the Metaliteracy blog.

-Tom and Trudi

Finalized 2025 Metaliteracy Goals and Objectives: Empowering Learners for Generative AI

We are excited to announce the final version of the 2025 Metaliteracy Goals and Learning Objectives. After an open comment period and extensive discussions, we have carefully reviewed the insightful feedback from the community and incorporated valuable suggestions into this finalized version. This update builds upon the 2018 goals and objectives while addressing the evolving nature of metaliteracy, particularly in response to revolutionary developments in artificial intelligence (AI) and the rapidly changing information environment.

AI-generated image to illustrate the idea of AI and Metaliteracy 2025.

Discussing the Role of AI

As we worked through these revisions, we had several intensive meetings in December and January to discuss not only specific updates but also how we conceptualize this version. One key topic of discussion was the role of AI. Although AI is specifically mentioned in the document, our focus extends beyond it to emphasize a broader understanding of metaliteracy. Our overarching goal is to acknowledge AI’s significant influence while ensuring that metaliteracy fosters a comprehensive and adaptable approach to learning in social information environments. Many of the revised objectives inherently address the need for metacognitive reflection and the ethical production of information, which are essential when engaging with AI-driven technologies.

Streamlining the Objectives

Through our collaborative efforts, we have refined this document to make it more actionable and adaptable for today’s educators and learners. This latest version of the Metaliteracy Goals and Learning Objectives streamlines the previous iteration by reducing the number of objectives from 34 to 20, providing greater clarity and focus. It further enhances self-awareness, critical thinking, and adaptability, ensuring that learners are prepared to engage with the complex information environments of today and the future. We made difficult decisions about which objectives to retain, eliminate, or merge, ultimately arriving at a more concise and focused approach. This process reinforced the “meta” perspective that distinguishes metaliteracy from traditional information literacy, aligning the framework with its continued evolution. This latest version underscores the essential ways in which metaliteracy supports continuous reflection, ethical participation in digital environments, and the responsible creation of knowledge.

How We Used AI

It is worth noting that we applied generative AI as a writing assistant to enhance clarity, refine the structure of ideas, and assess how certain objectives align with learning domains which provided valuable insights. Rather than allowing AI to dictate content, we used it as a tool for reflection and refinement, ensuring that our revisions remained true to the principles of metaliteracy that we have been developing for several years. This process serves as a model for how learners can engage with generative AI in a thoughtful, ethical, and collaborative manner—leveraging its strengths while maintaining critical oversight and intellectual ownership of ideas.

Call for Translations

As a next step, we welcome translation assistance to make the 2025 Metaliteracy Goals and Learning Objectives accessible globally. Translations will support a wider group of educators, learners, and researchers to integrate metaliteracy into their work, fostering international collaboration and engagement. If you can help, please leave a comment or contact us directly. Your support in broadening access to metaliteracy is invaluable. We invite you to review the final version of the 2025 Metaliteracy Goals and Learning Objectives and share your thoughts in the comments.

Thanks to the Metaliteracy Community

We want to extend our sincere gratitude to everyone who contributed during the open comment period. Your feedback was instrumental in shaping this final version, and we truly appreciate the thoughtful engagement from the metaliteracy community. Your insights helped refine the goals and objectives, making certain that they are relevant and impactful in educational and professional settings. Thank you for being part of this important process and for your ongoing support of metaliteracy. We look forward to continuing this important conversation with you. We invite you to review the final version of the 2025 Metaliteracy Goals and Learning Objectives and share your thoughts in the comments.

Now that the final version is available, we encourage you to explore the document and consider how these revised goals and objectives can be applied in your own teaching and learning. How do they support your approach to integrating metaliteracy and AI in education? What kinds of assignments or learning activities could be developed based on these insights? We invite you to share how you plan to apply these ideas in your work, teaching, or learning journey!

We look forward to hearing from you and keeping the dialogue going!

-Tom and Trudi

Revised Metaliteracy Goals and Learning Objectives for 2025: Share Your Feedback!

-Trudi Jacobson and Tom Mackey

Exploring Metaliteracy and AI at ICIL 2024 Africa Conference

The 3rd international Conference on Information Literacy (ICIL – Africa 2024) took place at Bibliotheca Alexandrina in Egypt. It featured a virtual presentation by Prof. Tom Mackey from Empire State University. The topic of Tom’s talk was Artificial Intelligence and the Future of Literacy. This presentation explored the revolutionary changes in generative artificial intelligence (AI). It highlighted the groundbreaking potential of information literacy, AI literacy, and especially metaliteracy to transform learning. This talk explored the core theme of the conference “Information Literacy Revolution: Get Ready.” It also looked ahead to the future of literacy in a world of generative AI. Metaliteracy serves as a comprehensive pedagogical framework that prepares meditative learners as individual and collaborative producers of digital information. It also prepares them as effective communicators and participants in rapidly-evolving information environments.

Tom’s presentation examined several key themes:

  • AI offers considerable potential for supporting artistic creativity and learning
  • AI challenges our understanding of originality and the original production of information
  • The problem of mis- and dis-information is exacerbated through AI
  • Metaliteracy offers a holistic model for effectively engaging learners with AI technologies
  • The metaliteracy goals and learning objectives reinforce the application of metaliteracy in practice

Metaliteracy emerged from information literacy and developed into a comprehensive model with several core components. It aligns with emerging AI Literacy models while focusing on learning in wide-ranging information environments. This approach provides a holistic and open framework to prepare learners as ethical producers of generative content.

We want to know how you engage with metaliteracy in your teaching and learning with AI. To share your techniques for applying AI and metaliteracy, please contact Tom Mackey or Trudi Jacobson directly. We welcome your ideas about a guest blog post!

Metaliteracy’s Place in the Development of an Artist

Trudi Jacobson

Color and texture. They beguile me. Lure me. Tease me. Color and texture can enhance or detract. I weave. Weaving can be all about color and texture in the emerging cloth. Done well, it sizzles and shimmers. Otherwise, you might have a veritable reproduction of mud.

Art embraces color and texture. I collected art-themed postage stamps when I was young, arranged them by artist, and did research into each artist. I still have that collection. I visited museums with my mother when young, then on my own, with friends or my husband. I was entranced by much of what I saw. I took a college art history course in London, visiting the National Gallery to see the works we studied in person. I wanted to know why there seemed to be so few women artists. In my quest, I received a study grant to travel to England to learn more about Lady Elizabeth Butler.

But art was for others to produce, me to admire. I couldn’t even draw a realistic stick figure. I never considered aspiring to try to create art myself. Until I did.

I started with a popular book Learn to Paint in Acrylics with 50 Small Paintings by Mark Daniel Nelson and some 6” x 6” canvases. I began reproducing images from the book. Some were better, some worse. Each one of them, even if mediocre, excited me. Maybe, just maybe, I could do this. Of course, it would take time and practice. Did I have the courage to go forward, though? One can’t claim beginner status forever–eventually one has to take responsibility for one’s progress, or lack of progress.

Where does metaliteracy fit into all of this? Its impact was subtle but substantive. I only started to think about this when Tom suggested I consider writing a blog post on this topic. When I was taking my first tentative forays in painting, I was heavily involved with shaping and sharing metaliteracy. Tom and I recognized and developed the metaliterate learner roles. At the time, Dr. Sally Friedman, a professor of political science and friend, was very interested in engaging her students with metaliteracy concepts. She asked them to consider their strengths and goals in connection with the metaliterate learner roles. Which role would they each like to become more comfortable with by the end of the course? We developed similar learning activities for our first global Coursera MOOC Metaliteracy: Empowering Yourself in a Connected World.

I realized I should be asking myself the same question. I’d always produced content, but mostly as an author dealing with the written word. But could I be brave and follow the path of a producer of art? Would the affective components of learning something so new and discomforting to me steer me away from this pursuit? Might I engage the metacognitive component to sort myself out?

It seemed I could. I sought online and in-person learning opportunities to help with my steep learning curve. I had to consider the metaliterate learner characteristics that would help me on my journey. The participatory characteristic is vital, closely aligned with being adaptable, reflective, collaborative, and civic-minded. These attributes were all critical when I was invited to join a group of women who met weekly to practice art and support one another’s efforts. At first, I felt like a fraud, masquerading as an artist but really just an artist wannabe. But I continued to participate. I brought my medium of choice at the time, watercolor. But when a group member suggested I try pastels and lent me the materials, I had to grapple with a medium that threw me back to being a beginner all over again. I focused on adaptability, reflecting that this established artist had her reasons for encouraging me to take this step in my learning process. As it turned out, she steered my artistic efforts in a crucial way. I love the immediacy and vibrant color of pastels.

As for the collaborative characteristic, group members work together to mount exhibits several times a year at local public libraries. Showing one’s work can be a bit scary, but the support of the group members makes it much easier. And civic-minded? I developed and maintain a website for the group as another means of sharing our work with a wide community. 

In the interest of length, I’ve just skimmed the surface of metaliteracy’s impact on me as a learner creating art. But perhaps it might prompt reflection on your part as you consider metaliteracy’s role in something new you are learning. 

Let me share some works that document my continuing evolution as a painter. Other than the first two which are very early works, I am particularly happy with these paintings that just a few years ago I would never, ever have thought I could produce! And if you are engaged on your own development as an artist of any type, I highly recommend Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland.

Developing Metaliteracy to Teach and Learn with Generative Artificial Intelligence (GenAI)

This year’s Annual Meeting of the Alabama Association of College & Research Libraries (AACRL) featured a presentation by Tom Mackey entitled Developing Metaliteracy to Teach and Learn with Generative Artificial Intelligence (GenAI). The talk explores the challenges of GenAI including issues related to authoring, accuracy, and attribution and reviews two models for AI Literacy. In addition, the metaliteracy framework is discussed as a comprehensive approach to support teaching and learning with GenAI. As examples of metaliteracy in practice, student images that applied GenAI are introduced from the course Ethics of Digital Art and Design in the Digital Media Arts Program at Empire State University.

Here’s the complete slide deck for the presentation:

Designing Interactive Pedagogies of Play Through Metaliteracy

Trudi Jacobson and Tom Mackey co-authored the chapter Designing Interactive Pedagogies of Play Through Metaliteracy for a new book edited by Marietjie Havenga, Jako Olivier, and Byron J Bunt. The open access volume entitled Problem-based Learning and Pedagogies of Play: Active Approaches Towards Self-Directed Learning is published by AOSIS Scholarly Books. As noted in the synopsis: “The focus of this book is original research regarding the implementation of problem-based learning and pedagogies of play as active approaches to foster self-directed learning” (https://books.aosis.co.za/index.php/ob/catalog/book/409).

According to the abstract for Trudi and Tom’s chapter:

This chapter explores interactive pedagogies of play (PoPs) through the theory and practice of metaliteracy. As a holistic pedagogical framework for developing reflective and self-directed learners in collaborative social environments, metaliteracy supports individuals to become active knowledge producers. The structure of the metaliteracy model includes interrelated roles, domains and characteristics that reinforce the scaffolding of play- and problem-based learning in multimodal contexts. The core components of metaliteracy are applied in practice through a set of flexible and adaptable goals and learning objectives. Through this analysis of metaliteracy concerning PoPs, we will describe interactive meaning-making in pedagogical situations involving collaborative problem-based learning (PBL) in four courses at both foundational and advanced levels of the college experience.

https://doi.org/10.4102/aosis.2023.BK409.

We are thrilled to be a part of this exciting new open access book with such excellent editors and authors. It was a great experience to apply metaliteracy to this new context of pedagogies of play. The examples we provide from our own teaching in the Writing and Critical Inquiry course at The University at Albany and in the Digital Media Arts courses at Empire State University demonstrate how applicable these ideas are to a wide range of pedagogical contexts. Let us know what you think about this new application of the metaliteracy model and feel free to try it out in your own teaching!

-Trudi and Tom

Jacobson, TE & Mackey, TP 2023, ‘Designing interactive pedagogies of play through
metaliteracy’, in M Havenga, J Olivier & BJ Bunt (eds.), Problem-based learning and pedagogies of play: Active approaches towards Self-Directed Learning, NWU Self-Directed Learning Series, vol. 11, AOSIS Books, Cape Town, pp. 43–70. https://doi.org/10.4102/aosis.2023.BK409.03

Looking for Workshop Ideas About Metaliteracy?

If you are interested developing workshop ideas about metaliteracy or would like to participate in a metaliteracy workshop asynchronously, check out this latest presentation! On Tuesday, September 5, Trudi Jacobson and Tom Mackey facilitated an interactive workshop entitled Adapting Metaliteracy OER to Multimodal Teaching and Learning Practices as part of their honorary appointments as Extraordinary Professors at North-West University (NWU). This virtual event was recorded and is now available to watch at your own pace. The ideas presented in the slideshow are easily adaptable to different learning scenarios and it is fine to follow along with the video as an asynchronous workshop participant! Feel free to apply the slides to your own setting (as long as you cite the source) and be sure to let us know if you have any questions! We would love to hear your feedback! -Trudi and Tom

Metaliteracy Featured in Virtual Prestige Lecture at North-West University in South Africa

As part of their honorary appointments as Extraordinary Professors at North-West University in South Africa, Tom Mackey and Trudi Jacobson delivered a new Prestige Lecture about Metaliteracy and Multimodality. The slides, audio file, and video recording for this lecture entitled Combining Metaliteracy and Multimodality to Develop Metaliterate Producers are now available. This newest Prestige Lecture is based on the second chapter from Tom and Trudi’s book Metaliteracy in a Connected World: Developing Learners as Producers that was published by ALA Neal-Schuman in 2022.

Look for Trudi and Tom’s follow-up workshop entitled Adapting Metaliteracy OER to Multimodal Teaching and Learning Practices on September 5 at 9am EDT.